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The Past is the Present, It's the Future Too: The Temporal Turn in Contemporary Art, by Christine Ross
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The term ‘temporality' often refers to the traditional mode of the way time is: a linear procession of past, present and future. As philosophers will note, this is not always the case. Christine Ross builds on current philosophical and theoretical examinations of time and applies them to the field of contemporary art: films, video installations, sculpture and performance works.
Ross first provides an interdisciplinary overview of contemporary studies on time, focusing on findings in philosophy, psychology, sociology, communications, history, postcolonial studies, and ecology. She then illustrates how contemporary artistic practices play around with what we consider linear time. Engaging the work of artists such as Guido van der Werve, Melik Ohanian, Harun Farocki, and Stan Douglas, allows investigation though the art, as opposed to having art taking an ancillary role. The Past is the Present; It's the Future Too forces the reader to understand the complexities of the significance of temporal development in new artistic practices.
- Sales Rank: #6857958 in Books
- Brand: Brand: Continuum
- Published on: 2012-06-28
- Released on: 2012-06-28
- Original language: English
- Number of items: 1
- Dimensions: 9.10" h x 1.00" w x 5.80" l, 1.75 pounds
- Binding: Hardcover
- 336 pages
- Used Book in Good Condition
Review
As precisely as the movements of a ticking clock, Christine Ross measures and progresses steadily (and at times playfully) through the unruly and seemingly vast topic of temporality in contemporary art. Combining current research in philosophy, aesthetics, and the social and neurosciences with thoughtful and elegant analyses of artworks, her painstaking writing helps us to see the present in surprising and profound ways. --Jane Blocker, Professor of Art History, University of Minnesota, USA, and author of Seeing Witness: Visuality and the Ethics of Testimony
About the Author
Christine Ross is Professor and James McGill Chair in Contemporary Art History in the Department of Art History and Communication Studies at McGill University, Canada.
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