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The Doors of Perception & Heaven and Hell, by Aldous Huxley
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Two classic complete books -- "The Doors of Perception (originally published in 1954) and "Heaven and Hell (originally published in 1956) -- in which Aldous Huxley, author of the bestselling "Brave New World, explores, as only he can, the mind's remote frontiers and the unmapped areas of human consciousness. These two astounding essays are among the most profound studies of the effects of mind-expanding drugs written in the twentieth century. These two books became essential for the counterculture during the 1960s and influenced a generation's perception of life.
- Sales Rank: #440997 in Books
- Published on: 2013-08-20
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .24" w x 5.98" l, .36 pounds
- Binding: Paperback
- 114 pages
Amazon.com Review
Sometimes a writer has to revisit the classics, and here we find that "gonzo journalism"--gutsy first-person accounts wherein the author is part of the story--didn't originate with Hunter S. Thompson or Tom Wolfe. Aldous Huxley took some mescaline and wrote about it some 10 or 12 years earlier than those others. The book he came up with is part bemused essay and part mystical treatise--"suchness" is everywhere to be found while under the influence. This is a good example of essay writing, journal keeping, and the value of controversy--always--in one's work.
From the Inside Flap
In 1953, Aldous Huxley took four-tenths of a gram of the drug Mescalin, sat down and waited to see what would happen. When he opened his eyes everything was transformed. He describes his experience in The Doors of Perception and its sequel Heaven and Hell.
About the Author
Aldous Huxley (1894-1963) was an English writer and editor of Oxford Poetry. He interests included parapsychology and philosophical mysticism, and he is known in many academic circles as a leader of modern thought. He is the recipient of both the James Tait Black Memorial Prize and the Companion of Literature by the Royal Society of Literature. His many works include Brave New World, Themes and Variations, and The Genius and the Goddess.
Most helpful customer reviews
276 of 286 people found the following review helpful.
Credible Argument for Responsible Use of Hallucinogens
By Michael R Gates
In the first half of the book, DOORS OF PERCEPTION--originally a separate volume--Huxley offers a cogent and erudite argument for the use hallucinogens (specifically, mescaline) as a means for opening up the thinking mind to new ideas and perceptions, or even as a method for jumpstarting human creativity in the common man. Not only does he offer compelling historical precedents and sound medical research, but he also reveals positive details about his own personal experimentation with the drug. As is always the case with Huxley's essays, his various hypotheses are very articulately expressed and not easily dismissed.
The second part of the book, HEAVEN AND HELL--also originally published separately--Huxley introduces the idea that spiritual insight and personal revelation can also be achieved through the use of hallucinogens. (By the time he had written this volume, Huxley had added LSD to his psychedelic repertoire.) While just as articulately written and researched as the first volume, the idea that religious insight can be gained through drugs may offend some readers (theists and atheists alike), and the premise seems odd and contrived or expedient (was he trying to gain support of the clergy?) coming from a generally non-theist thinker-philosopher such as Huxley. Nevertheless, it is still thought-provoking reading for both professionals and amateurs interested in the positive potential of mind-altering drugs.
157 of 172 people found the following review helpful.
Are you experienced?
By Steven W. Cooper
Huxley's `experiment' in The Doors of Perception was a right of passage for many in my generation, and it's interesting to have such an intelligent analysis of the experience. He does waste a lot of words on something that is indescribable, but it seems to have been written in the first blush of excitement. And Huxley makes some very sound observations, as well, that have probably helped many people reconcile their own indescribable experiences.
His conclusion that Mescalin and Lysergic Acid are relatively harmless for people in good health with an untroubled mind is probably objectionable today, especially among people who have never tried them. Looked at objectively, however, I wonder how this conclusion has stood the test of time. For myself, I believe he underestimated the long-term psychological challenges that cleansing those doors poses.
I remember something I read long ago from Philip K. Dick saying how difficult life is after you've seen God's face. The realization afterwards that you'd been forced back to a colorless, banal existence - a prison, if I recall the sense of what Dick wrote - must surely be considered one of the long-term psychological challenges that Huxley could not have fully appreciated when he wrote this book.
The feeling of being a prisoner in the normal world of perceptions might conceivably result in a hunger to return often to that `Antipodes of the mind' which, if felt too keenly, could cause permanent damage to be done to the mind's function as a `limiting valve.' This suggests to me that blaming acid casualties on a `troubled mind' may not be wholly satisfactory: some people choose to pack up their belongings and move to an island in Huxley's Antipodes, and these people can't always continue to function in the society their bodies continue to inhabit.
But the situation is complex: whether these `immigrants to the Antipodes' can continue to cope in the normal world is surely also a function of the society they live in. An American Indian tribe in the 1800's or Amsterdam today probably offer the mental émigré more of a chance for social survival than Riyadh, for example. One of the strengths of this book is to provide a good line of reasoning that explains why this might be true.
Heaven and Hell follows the extended, and appropriate, Blake reference. But to me this essay feels more like a long article you'd find in a magazine written by a cocky critic. Sure, there's much erudition on display and many valid aesthetic points are made; but the spirit behind it feels naïve: like many of the new ideas and associations that had formed in his mind hadn't had a chance to mellow and mature.
On the other hand, what seem like random observations to me may form a pattern I just didn't pick up on. Huxley was a smart cookie, and I wouldn't presume to speak authoritatively on his shortcomings.
30 of 31 people found the following review helpful.
Fantastic classic!
By A Customer
This book is truly a classic. It has a timeless quality and youth-like enthusiasm. Mr. Huxley does such a superb job at capturing the "feel" of the whole experience. He weaves wonderful prose with intriguing ideas. Not being an avid art aficionado, I was left a bit daunted with the numerous art references, but overall he has left me with a newfound interest in art.
Huxley touches on some good questions concerning psychoactive substances (and general "chemical vacations") and perception. I am intrigued with his idea of the brain acting as a sort of "reducing valve" for the whole of what could be perceived (experiencing "mind at large"). It is surely a quick read, but still packed full of philosophy, little tidbits, history and a myriad of other such though provoking ideas.
A great quote: "The need for frequent chemical vacations from intolerable selfhood and repulsive surroundings will undoubtedly remain." And Huxley does a wonderful job at explaining why this is so. This is a must read for anyone trying to understand the whole why and what for of hallucinogens, or for the aspiring philosopher, the general curious about life, mystery, etc. It is a necessary read.
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