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You Must Set Forth at Dawn: A Memoir, by Wole Soyinka
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The first African to receive the Nobel Prize in Literature, as well as a political activist of prodigious energies, Wole Soyinka now follows his modern classic Ake: The Years of Childhood with an equally important chronicle of his turbulent life as an adult in (and in exile from) his beloved, beleaguered homeland.
In the tough, humane, and lyrical language that has typified his plays and novels, Soyinka captures the indomitable spirit of Nigeria itself by bringing to life the friends and family who bolstered and inspired him, and by describing the pioneering theater works that defied censure and tradition. Soyinka not only recounts his exile and the terrible reign of General Sani Abacha, but shares vivid memories and playful anecdotes–including his improbable friendship with a prominent Nigerian businessman and the time he smuggled a frozen wildcat into America so that his students could experience a proper Nigerian barbecue.
More than a major figure in the world of literature, Wole Soyinka is a courageous voice for human rights, democracy, and freedom. You Must Set Forth at Dawn is an intimate chronicle of his thrilling public life, a meditation on justice and tyranny, and a mesmerizing testament to a ravaged yet hopeful land.
From the Hardcover edition.
- Sales Rank: #921877 in Books
- Brand: Soyinka, Wole
- Published on: 2007-03-13
- Released on: 2007-03-13
- Original language: English
- Number of items: 1
- Dimensions: 7.99" h x 1.12" w x 5.21" l, 1.15 pounds
- Binding: Paperback
- 528 pages
From Publishers Weekly
Starred Review. In this engrossing follow-up to his acclaimed childhood memoir, Aké, the Nigerian poet, playwright and Nobel laureate demonstrates what it means to be a public intellectual. Soyinka revisits a tumultuous life of writing and political activism, from his student days in Britain through his struggles, sometimes from prison or exile, against a succession of Nigerian dictatorships. Soyinka may be on a first-name basis with almost every major Nigerian figure and he's sometimes involved in high-level intrigues; his chronicle of political turmoil is very personal, full of sharply drawn sketches of comrades and foes, and cantankerous rejoinders to critics. His novelistic eyewitness accounts of repression and upheaval widen out from time to time to survey the humiliation and corruption of Nigerian society under military rule. Soyinka also includes recollections of friends and family, of sojourns abroad with W.H. Auden and other literati and of stage triumphs and fiascoes. His lyrical evocations of African landscapes, the urban nightmare of Lagos, the horrors of British cuisine and the longing a dusty fugitive feels for a cold beer will entertain and educate readers. By turns panoramic and intimate, ruminative and politically resolute, Soyinka's memoir is a dense but intriguing conversation between a writer and his times. (Apr. 18)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The New Yorker
Early in this memoir, Soyinka, the Nobel-winning playwright, says that he is "a closet glutton for tranquillity." The account that follows details a decidedly untranquil life of activism, imprisonment, and exile over the past half century. In 1956, as a Nigerian student in England, Soyinka considered joining the Hungarian uprising against the Soviets, thinking it a "perfect rehearsal" for future African insurgencies, but his father advised, "Kindly return home and make this your battlefield." The bulk of the book concerns Soyinka's struggles against one corrupt Lagos administration after another, shedding light on the outsize characters of African politics. Along the way, Soyinka recalls how once, in Venice, W. H. Auden tried to pass him off as an African prince, and reveals that, after winning the Nobel Prize, he came down with writer's block, "overwhelmed by the futility of everything I had ever done."
Copyright © 2006 The New Yorker
From Bookmarks Magazine
Just when it seems that the premise of the latest tell-all memoir can't get any thinner, this powerful exemplar of the genre arrives on bookshelves. Soyinka, winner of the 1986 Nobel Prize for literature, delivers a book that is as much a history of a country as it is the story of his life. That Soyinka's story so closely aligns with the history of Nigeria testifies to his ongoing commitment to the cause of democracy, but the focus on politics leaves a few reviewers wishing for more of the personal stories found in Aké, his first memoir, and The Man Died, about his two-year imprisonment. You Must Set Forth at Dawn is not always easy going, especially for those unfamiliar with African history. For those willing to take the journey, Soyinka's account breathes with the "fullness of an epic" (San Francisco Chronicle).
Copyright © 2004 Phillips & Nelson Media, Inc.
Most helpful customer reviews
22 of 23 people found the following review helpful.
Captivating read!
By Jimi Oke
This is my first taste of Soyinka's work, except for the few scenes of "The Lion and The Jewel" I gleaned many years ago.
I haven't read many autobiographies, but this is without question one of the best I have read. Solidly written, with a plethora of hilarious, as well as sobering anecdotes, and a masterful deployment of literary devices, this, surely is a chef-d'oeuvre. However, this book is not only an autobiography but an excellent historical account of Nigeria's political history since independence in 1960.
Catapulted right into the middle of the action and intrigue that took hold of the nation, I learned new things and gained a lot of useful insight into how the nation became to be what it is today and the various roles of those involved in shaping its destiny.
I grabbed this book because I wanted to learn more about the history of my country from the mouth of a seasoned literary figure. I was astounded to discover that he was completely involved in the struggle right from the beginning. What is more, I was rewarded with a distinctive literary style and all the rewards it brings - new vocabulary, new expressions, and more knowledge.
And I completely disagree with those who complain that Soyinka is too wordy and dawdles over many unnecessary details before getting to the real thing. What real thing are they searching for, anyway? This, after all, is a memoir. Moreover, every page, every word was an absolute treat.
Of course, I do not necessarily agree with all his ideologies, but his honest style through which he sometimes seems to contradict himself, is but a true reflection of how the human mind works.
Highly recommended, and you can be sure to be rewarded with far more than you intially expected at the end of this book.
16 of 17 people found the following review helpful.
Life, art and politics
By Hedzoleh
Soyinka skilfully offers refreshing glimpses into his life as a humble, honest and courageous individual. He is deeply spiritual but definitely not a holier-than-thou prude. Soyinka's infectious enjoyment of life comes across in his passion for hunting, wine, music, art and, of course, women. It seems that it is this enduring appreciation of the immense possibilities of life that drives his resistance to dictatorship and systems that seek to rob the individual of the opportunity to partake in the sacrement of life. The man, his art and his politics are inseperable.
8 of 9 people found the following review helpful.
A must read for those interested in Nigerian history since independence
By Michael Crown
Mr. Soyinka, masterfully uses his life as a running commentary for the state of political affairs in Nigeria since 1960. While the book does speak on a lot of serious issues there are many moments of hilarity such as when W.H Auden passes him off as an African Prince and the quest to recover an acient mask that led Mr. Soyinka to Brazil.
Mr. Soyinka's style tends to be a little heavy on grammar but overall it is a great book, one that I am happy to have bought.
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