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The New York Four, by Brian Wood, Ryan Kelly
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Worlds collide when four young women begin college at the prestigious New York University. Shy, literate Riley, overachieving but naive Lona, laid-back West Coaster Ren, and working-class girl Merissa claim newfound freedom living in the big city. But that freedom comes at a price: roommate drama, mysterious love interests, school troubles, and family conflicts. Welcome to adulthood!
New York Four is a smart, charming, and stunningly rendered page-turner from the New York Times best-selling duo Brian Wood and Ryan Kelly. This edition collects the entire series under one cover for the first time.
- Sales Rank: #2075224 in Books
- Published on: 2014-11-18
- Released on: 2014-11-18
- Original language: English
- Number of items: 1
- Dimensions: 10.20" h x 1.03" w x 6.68" l, .0 pounds
- Binding: Paperback
- 296 pages
About the Author
Multiple Eisner Award-nominee Brian Wood released his first series, Channel Zero, to considerable critical acclaim in 1997 and has gone on to create hard-hitting original series such as DMZ, Northlanders, The Couriers, and The Massive. Adding to that body of work, he's also written some of the biggest titles in pop culture, with work on Star Wars, Conan The Barbarian, Lord Of The Rings, and The X-Men. Brian lives with his wife and two children in Brooklyn, NY. The author lives in NY, NY.
Most helpful customer reviews
2 of 3 people found the following review helpful.
It reminds me of the musical Rent
By Tim Lieder
I remember liking both The New York Four and The New York Five when I first read them. I had just finished reading Local and I was very happy with DMZ so this was just more Brian Wood greatness. I was impressed with the fact that he was writing about young women going to college in New York City, because frankly this is not something that gets addressed in graphic novels as much as it should.
Unfortunately, the years have not been kind. The first conceit that becomes grating is the New York Tourism trope that introduces every place. Every character is from New York and yet they are being introduced as types. The second major focus is the fact that almost every character is privileged to the point of 1% ridiculous and this shows when they are going to Williamsburg which is described as "once no man's land and now the place with the million dollar condos" as if gentrification is awesome (a strange trope too since Wood's first graphic novel doubled as a shriek against Giuliani). They don't struggle with the rent. They all get awesome SAT jobs that require psychological evaluation. The one character that is not from a higher income bracket acts slutty and then gets a story where she must take care of her bipolar brother in Queens.
Mostly, this feels like the musical Rent where New York City is one big party with dozens of night clubs and roof parties and no sense that anyone even has to work for a living. Hell, there is even the tragically sick "inspirational character" whose entire role is to embody New York street kids.
Unfortunately, that kind of superficial writing would be fine if the characters were interesting. But the characters are boring. Yes, they all have distinct arcs but I never get the feeling like they are real people so much as tropes. There's the Hispanic girl with the pushup bra (and the bipolar mother). There's the hipster blond with dreadlocks (who dates older men). There's the Asian (who is obsessed with her professor on the UWS) and there's Riley, the ostensible main character who spends the first part texting her older sister's boyfriend and the second part trying to get her older sister to forgive her.
The artwork is still great, but the story itself is subpar.
0 of 0 people found the following review helpful.
Engaging and intertaining
By Karen Owes
Compelling from the beginning until the end. Believable characters and clear drawings with plenty of details that add to the story plot. Would love to see a sequel.
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